Feb 14, 2017
Philip, Scott, and Danny discuss the 2016 American horror film “Hush.” This is one of the better home invasion movies we have seen and there was quite a bit to discuss. Let us know what you think!
Jan 31, 2017
reviewed by Scott
directed by Bryan Bertino, 2016
The Monster is a 2016 creature feature written and directed by Bryan Bertino, starring Zoe Kazan as Kathy and Ella Ballentine as Lizzy.
Kathy is the alcoholic single mother of Lizzie, a girl who is about ten years old. Kathy looks so young that she could not have been too much older than that when she had Lizzie. As is often the case in such scenarios, Lizzie is like the real parent in the family. We are introduced to them with scenes of Lizzie cleaning up the house trashed from her mother’s partying. Lizzie has to get her mom out of bed so they can make a trip after packing for the two of them. Though in some ways, she is the caregiver, she is also emotionally stunted by their domestic trauma and clings throughout to a stuffed bear that sings nursery rhymes. The opening sequences are effective and prepare us for what is best about this movie.
After the first act, the troubled relationship between Kathy and Lizzie is further related in flashbacks. The mother/daughter tension is the heart of this film. In fact, I want to see the movie of them without the creature. But we are not so lucky. The bulk of the action takes place while they are on their way to take Lizzie to her dad’s place, perhaps for good when they hit a wolf and the car is disabled. In the woods. At night. During a storm. The rest of the picture is them being stalked by a snarling thing and their fight to survive. Rescue almost comes a couple of times but, in the end, the women must try to save themselves.
I had hoped we were in for a complex multi-layered personal drama which happened to coincide with a monstrous encounter that typified the relationship between the main characters. The good news is that is we do get glimpses of such a story. But the bad news is that so many other things are executed poorly. The creature plot is predictable and boring. The music is noticeably underwhelming. For a film entitled The Monster, the actual titular beast was fairly unscary. The image in the movie poster is more chilling than its – at times – laughable appearance in the film. Initially, I was reminded of the introduction of the T-Rex in Jurassic Park. A rainy night with two hapless victims trapped in their car being terrorized by a razor-fanged uber-lizard. But instead of a realistic dinosaur, we get a man in a rubber suit. 1950s Japan is calling. They want their Godzilla costume back.
The high points, on the other hand, are the performances. Both actresses are clearly talented but Zoe Kazan was pretty brilliant, especially in the flashback scenes. The most suspenseful scene was her trying to talk herself out of taking a drink. And the most shocking scene was how she treats her daughter when her good-for-nothing boyfriend storms out of the house. The most beautiful scene, and heart-wrenching, was the flashback at the end. As I said, this is the movie I would rather have seen. High fives to Bryan Bertino for showing that addiction is truly monstrous. Too bad about the guy in the rubber suit though.
Jan 29, 2017
reviewed by Philip
directed by Gene Wilder, 1986
I love this movie. Yes, it was nearly universally panned by critics and fans alike and currently holds a 25% approval rating on Rotten Tomatoes, but I was captivated by it from the beginning. I found it to be genuinely scary at times (I was only 10 during my first viewing) and also found it to be quite funny. The film is certainly not able to compete with Wilder’s classic gems, such as Blazing Saddles and Young Frankenstein, but there are nevertheless some wonderful “Gene” moments scattered throughout.
Larry Abbot (Wilder) and Vickie Pearle (Gilda Radner) are radio actors who are getting married. Unfortunately, Larry has been getting stage-fright that causes him unable to speak his lines correctly. They decide to get married in the huge castle where he grew up and when they travel to the site, Vickie is able to meet Larry’s family, including his great-aunt Kate portrayed by Dom DeLuise in drag. Larry’s uncle, Dr. Paul Abbot, believes Larry needs shock therapy to scare him out of his newly formed stage fright, so after letting the other family in on the secret, they begin playing tricks and stunts on Larry. Unfortunately, the horror becomes all too real when one of Larry’s cousins wants him dead.
I can remember being fascinated by Dr. Abbot’s special effects and the way they attempted to scare Larry. Lightning machines, levitation pulleys, werewolf costumes, and downright frightening masks (like the one below) kept me on the edge of my seat. Another one of Larry’s cousins, named Susan, was married to a world-renowned magician who also brought some creepiness into the film, including the ability to make his eyes glow! Throw in the fact that Larry ended up being buried alive, which has been intriguing to me since I read about magician Harry Houdini’s buried alive stunt when I was a kid, and this movie has all the right ingredients for atmospheric fun.
The cast is also fantastic. When you have Gene Wilder, Gilda Radner, Dom DeLuise, and Jonathan Pryce leading the charge, you can safely assume some fun is in the works. A routine that has been done several times before in movies just so happens to be one of the best when Wilder pretends that a pair of legs that are not his own actually belong to him in order to get some police officers off his back. No one can do this kind of comedy like Wilder.
But, the movie has all kinds of flaws. The comedy is definitely cliched, there is no believability to the film, and the performances are less-than-average for this incredibly gifted cast. And yet, at the end of the day, there is just something about it that keeps me smiling. Unfortunately, this would be Radner’s final film before her untimely death.